Neirika

Portfolio

Art Photography

Varanasi, Northern India

Yogi en contemplation sacrée – Yogi in sacred contemplatioN
De la série Transmutation spirituelle Varanasi (Bénarès), Uttar Pradesh, Inde septentrionale. 2013

In its balance of light, texture, and human presence, this photographic artwork presents the intimate portrait of a yogi sitting on the shore of the Ganga River, reflecting on a sacred Hindu text, and in this way illuminating centuries of spiritual tradition on the ghats of Varanasi, capturing a moment of profound stillness and spiritual immersion. The composition reflects universal themes of contemplation, transformation, and enlightenment, connecting the viewer to both personal and collective dimensions of spiritual devotion.

Yogi in Sacred Contemplation Digital Photography, 2023, Varanasi, India

Sacred Riverbanks

Photographed from above with a sensitivity to spiritual topography, this image provides a rare perspective on the Manikarnika Ghats, India’s most significant cremation sites. The scene reveals the coexistence of sacred ritual, public space, and the natural environment of the Ganges, inviting reflection on the cyclical nature of life and death.

Manikarnika Ghat Digital Photography, 2023, Varanasi, India

Nomadic Zone

Lac Tso Moriri, Nomadic Zone, Himalayan Plateau, Northern India – 2013

This photograph depicts a whitewashed chorten, which is a type of Buddhist stupa, beneath an expansive Himalayan sky at Tso Moriri, a remote lake region inhabited by nomadic communities. The work captures the interplay of monumental natural forms and sacred architecture, evoking a sense of spiritual expansion within a vast rug landscape.

Northern Landscape / Paysage septentrional Lac Tso Moriri, Nomadic Zone, Himalayan Plateau, Northern India — 2023

Kamakhya Temple

Shamanism
Shamanism

Shamanisme – Temple Kamakhya, Nilachal Hills, Guwahati, Assam – Diptych, 2023

Naxi-Donba Chinese Minority

The Immensity of Peace and Silence
The Immensity of Peace and Silence

The Immensity of Peace and Silence Naxi Dongba minority, Yunnan Province, Southwest China – Diptych, 2023

Naxi-Donba village

Naxi Dongba minority, Yunnan Province, Southwest China – 2012

This photograph captures three men of the Naxi Dongba community in a moment of shared laughter and ease, their body language revealing the warmth and camaraderie of daily life. The interplay of natural light and the textured interior setting creates an atmosphere both intimate and universal, allowing the viewer to feel present within the scene. In its focus on authentic human connection, while offering a vivid glimpse into the living culture of Southwest China.

Le Moment Présent/ The Present Moment Naxi Dongba minority, Yunnan Province, Southwest China – 2023

Drung Valley, Himalayan Foothills

Drung Valley, Himalayan Foothills

National Jewel / Joyau National Drung minority, Yunnan Province, Southwest China — 2023

Located at the foothills of the Himalayas, on the border between northern Myanmar and the northwestern part of Yunnan Province in southwest China, the Drung Valley is one of the wildest and most remote valleys in China. This region has been designated by UNESCO as a biosphere reserve and a World Heritage Site. It is home to a rich biosphere and rare indigenous animal and plant species.

The Drung minority numbers around 6,000 people. Drung women born before 1949 have fully tattooed faces. My host explained to me that this practice, which was banned by Mao Zedong in 1949, was intended to protect women from other tribes. There were still 18 of these women alive when I visited the mountain village in 2012. They are considered national treasures by the Chinese government.

A road was built to access the valley in 1998, and until the construction of a new highway in 2014, the valley was closed for part of the year during the winter season. During my travels in the Drung Valley in 2012, my host told me that since 2009, around 50 foreigners per year had visited the valley.

Art Installation

The Timelessness of the Present Moment

This art installation is composed of video still images printed on Hahnemühle photo rag paper.  The footage of the performance art for video in which I performed, entitled 'There is a little bit of absurdity in everything (Oakland, California, August 15th, 2005),' was manipulated through a visual programming language called MAX Jitter to create special effects.

The Timelessness of the Present Moment Art Installation, Gallery Espace, Montreal — August 2023

The Timelesness of the Present Moment

Art Installation Detail
Art Installation Detail

The Timelessness of the Present Moment Art installation, video stills printed on Hahnemühle Photo Rag paper, 2023. Gallery Espace, Montreal, August 2023.

Digital Fine Art

Trikaya (intra-dimensional archetypal realm)

This digital artwork draws from the Buddhist concept of Trikaya — the three bodies of the Buddha — reimagined through the lens of epistemological mysticism, intuitive and symbolic experiences. The abstract, prismatic forms evoke a shifting perceptual space where spiritual symbolism and archetypal geometry merge. By translating moving-image media into fine art prints, the piece bridges traditional Buddhist cosmology with contemporary digital art practices, aligning with experimental and consciousness-based art.

Trikaya (intra-dimensional archetypal realm)

Trikaya
Trikaya
Trikaya
Trikaya
Trikaya
Trikaya
Trikaya
Trikaya (intra-dimensional archetypal realm)
Trikaya (intra-dimensional archetypal realm)

Trikaya (Archetypal Intra-Dimensional Realm)

Abstraction

Abstraktion

Abstraction — 2023

Floating World

Abstraction
Alien Consciousness
Abstract Drawing
Purple Light
Abstract Light
Abstraction
Divine Fabric
Angel Remix: Light

Floating World Digital Gallery

Angel Remix: Light

Angel Remix: Light 
Video still 


In this video still image, the ethereal light and layered digital textures converge to form an otherworldly figure, suggestive of an angelic, or perhaps alien presence. Through its futuristic sensibility and integration of digital aesthetics, this visual artwork proposes alternative modes of representation that merge archetypal iconography with interdisciplinary art production.  The artwork situates itself at the intersection of ancestral memory or modes of perception, contemporary ritual, and technology, contributing to an expanded dialogue on the boundaries of human consciousness and representation.

Angel Remix:Light — 2023

Alien Consciousness

This artwork is a short excerpt from the video Divine Molecular Theater — 2010

Alien Consciousness series

Alien Consciousness
Alien Consciousness
Alien
Alien
Alien
Alien
Alien Entity
Alien
Alien
Alien
Alien
Alien
Alien
Alien Consciousness
Alien
Alien

Alien Consciousness Series — 2023

Sower of Vision

Sower of Vision, Performance Art, 2006

Abstraction N.1 — Video, 2009

Abstraction N.1 — Video, 2009

Abstraction N.1 — 2023

Neirika -Video, 2010

Neirika
Biography
Neirika
Neirika
Neirika
Neirika
Neirika
Neirika
NeirikaNeirika
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Neirika Video Still
Neirika

Neirika, Video stills, 2010

Echo

Theotokos-2068
Self-Portrait
Self-Portrait
Self-Portrait
Theotokos-1519
Theotokos-1340
Self-Portrait
Abstract
Theotokos-1575

Performance Art

There is a little bit of absurdity in everything

There is a little bit of absurdity in everything

The Painting Dress in There is a little bit of absurdity in everything.

Performance Art, in collaboration with Reed Rickert, Jennifer Connolly, Angela Milash, Guillermo Galindo, Bluejay Silverback, Audrey Haller, John Rogers, Oakland, California — August 15, 2005

I'll Show You Happiness

I'll show you happiness
I’ll Show You Happiness
I’ll Show You Happiness
I’ll Show You Happiness
I'll Show You Hapiness
I’ll Show You Happiness

Editorial

A Fairy's Song

Antispécisme
A Fairy's Song
A Fairy’s Song
A Fairy’s Song
Isle of Skye

A Fairy’s Song was translated from English into French by Jean-Pierre Pelletier and published in the poetry section of the French poetry and sociology magazine Possible, Montreal, Quebec, Canada.

POSSIBLES

Possibles
Sacred Meditation

POSSIBLES, Montreal-based magazine of poetry, art, and sociology. This issue features a striking cover design that reflects the publication’s interdisciplinary approach, merging visual art and literary expression.

About the Artist

Art, Ecology & the Sacred: When Art becomes Knowledge

Gallery image 1
Gallery image 2
Ritual
Abstract Drawing

Lady B (Bérangère Maïa Natasha Parizeau)’s artwork arises from a deep engagement with the living world. Through ecological awareness and interdisciplinary methods, her creative process seeks to reveal how the language of art contributes to understanding and experiencing reality. She is fascinated by the ways in which art conveys fragments of the human experience.

Soul Art, as a living ritual, becomes an inquiry into the liminal spaces where visual poetry, ecological sensitivity, and curiosity converge.

Through her practice, Lady B explores the ecology of the sacred: those moments when life itself becomes poetry, bridging inner awareness and the outer landscape. The creative act becomes a rite of passage — a path of healing — where transformation intertwines with the rhythms of time, impermanence, renewal, and rebirth.

Her work embodies the more abstract dimensions of life — tracing subtle energies and movements that connect the visible with the invisible. In this sense, her art evolves toward an eco-spiritual poetics, aligning artistic expression with contemporary reflections on sustainability, creativity, and the renewal of contemplative and ecological consciousness in fine art.

Critic André Seleanu (AICA, Montréal) has described Parizeau’s work as carrying “a unique sense of presence” — merging ethnography, ecology, politics, and art into a multi-layered investigation of the human experience.

Artist portrait