Lady B
Visual & interdisciplinary art, photography & film
Chamanisme / Shamanisme Temple Kamakhya, Nilachal Hills, Guwahati, Assam – Diptych, 2013
 
Chamanisme / Shamanisme Temple Kamakhya, Nilachal Hills, Guwahati, Assam – Diptych, 2013
 
Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat, sed diam voluptua. At vero eos et accusam et justo duo dolores et ea rebum. Stet clita kasd gubergren, no sea takimata sanctus est Lorem ipsum dolor sit amet. Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat, sed diam voluptua. At vero eos et accusam et justo duo dolores et ea rebum. Stet clita kasd gubergren, no sea takimata sanctus est Lorem ipsum dolor sit amet.
Headline
Trikaya (intra-dimensional archetypal realm)
This digital artwork draws from the Buddhist concept of Trikaya — the three bodies of the Buddha — reimagined through the lens of epistemological mysticism, intuitive and symbolic experiences. Art as a mode of knowing, as an epistemic instruments. The abstract, prismatic forms evoke a shifting perceptual space where spiritual symbolism and archetypal geometry merge. By translating moving-image media into fine art prints, the piece bridges traditional Buddhist cosmology with contemporary digital art practices, aligning with experimental and consciousness-based art.
Trikaya (intra-dimensional archetypal realm)
This digital artwork draws from the Buddhist concept of Trikaya — the three bodies of the Buddha — reimagined through the lens of epistemological mysticism, intuitive and symbolic experiences. Art as a mode of knowing, as an epistemic instruments. The abstract, prismatic forms evoke a shifting perceptual space where spiritual symbolism and archetypal geometry merge. By translating moving-image media into fine art prints, the piece bridges traditional Buddhist cosmology with contemporary digital art practices, aligning with experimental and consciousness-based art.
Trikaya (intra-dimensional archetypal realm)
This digital artwork draws from the Buddhist concept of Trikaya — the three bodies of the Buddha — reimagined through the lens of epistemological mysticism, intuitive and symbolic experiences. Art as a mode of knowing, as an epistemic instruments. The abstract, prismatic forms evoke a shifting perceptual space where spiritual symbolism and archetypal geometry merge. By translating moving-image media into fine art prints, the piece bridges traditional Buddhist cosmology with contemporary digital art practices, aligning with experimental and consciousness-based art.
Chamanisme / Shamanisme Temple Kamakhya, Nilachal Hills, Guwahati, Assam – Diptych, 2013
 
Chamanisme / Shamanisme Temple Kamakhya, Nilachal Hills, Guwahati, Assam – Diptych, 2013
 
Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat, sed diam voluptua. At vero eos et accusam et justo duo dolores et ea rebum. Stet clita kasd gubergren, no sea takimata sanctus est Lorem ipsum dolor sit amet. Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat, sed diam voluptua. At vero eos et accusam et justo duo dolores et ea rebum. Stet clita kasd gubergren, no sea takimata sanctus est Lorem ipsum dolor sit amet.
Alien Consciousness
This video was created from the documentation footage of a performance art entitled 'There is a little bit of absurdity in everything,' in which a few artists performed and collaborated on August 15th in Oakland, California, including internationally acclaimed artist Guillermo Galindo (https://www.galindog.com/). This performance art ritual was filmed by cinematographer Reed Rickert. The abstract, UFO-like forms evokes a shifting perceptual space where archetypal symbolism and geometry merge. By translating moving-image media into fine art prints, the piece bridges ancient traditional spiritual cosmology with contemporary digital art practices, aligning with experimental and consciousness-based art.
Headline
Trikaya (intra-dimensional archetypal realm)
This digital artwork draws from the Buddhist concept of Trikaya — the three bodies of the Buddha — reimagined through the lens of epistemological mysticism, intuitive and symbolic experiences. Art as a mode of knowing, as an epistemic instruments. The abstract, prismatic forms evoke a shifting perceptual space where spiritual symbolism and archetypal geometry merge. By translating moving-image media into fine art prints, the piece bridges traditional Buddhist cosmology with contemporary digital art practices, aligning with experimental and consciousness-based art.
Trikaya (intra-dimensional archetypal realm)
This digital artwork draws from the Buddhist concept of Trikaya — the three bodies of the Buddha — reimagined through the lens of epistemological mysticism, intuitive and symbolic experiences. Art as a mode of knowing, as an epistemic instruments. The abstract, prismatic forms evoke a shifting perceptual space where spiritual symbolism and archetypal geometry merge. By translating moving-image media into fine art prints, the piece bridges traditional Buddhist cosmology with contemporary digital art practices, aligning with experimental and consciousness-based art.
Trikaya (intra-dimensional archetypal realm)
This digital artwork draws from the Buddhist concept of Trikaya — the three bodies of the Buddha — reimagined through the lens of epistemological mysticism, intuitive and symbolic experiences. Art as a mode of knowing, as an epistemic instruments. The abstract, prismatic forms evoke a shifting perceptual space where spiritual symbolism and archetypal geometry merge. By translating moving-image media into fine art prints, the piece bridges traditional Buddhist cosmology with contemporary digital art practices, aligning with experimental and consciousness-based art.
Chamanisme / Shamanisme Temple Kamakhya, Nilachal Hills, Guwahati, Assam – Diptych, 2013
 
Chamanisme / Shamanisme Temple Kamakhya, Nilachal Hills, Guwahati, Assam – Diptych, 2013
 
Chamanisme / Shamanisme Temple Kamakhya, Nilachal Hills, Guwahati, Assam – Diptych, 2013
 
Trikaya (intra-dimensional archetypal realm)
This digital artwork draws from the Buddhist concept of Trikaya — the three bodies of the Buddha — reimagined through the lens of epistemological mysticism, intuitive and symbolic experiences. Art as a mode of knowing, as an epistemic instruments. The abstract, prismatic forms evoke a shifting perceptual space where spiritual symbolism and archetypal geometry merge. By translating moving-image media into fine art prints, the piece bridges traditional Buddhist cosmology with contemporary digital art practices, aligning with experimental and consciousness-based art.
Alien Consciousness
This video was created from the documentation footage of a performance art entitled 'There is a little bit of absurdity in everything,' in which a few artists performed and collaborated on August 15th in Oakland, California, including internationally acclaimed artist Guillermo Galindo (https://www.galindog.com/). This performance art ritual was filmed by cinematographer Reed Rickert. The abstract, UFO-like forms evokes a shifting perceptual space where archetypal symbolism and geometry merge. By translating moving-image media into fine art prints, the piece bridges ancient traditional spiritual cosmology with contemporary digital art practices, aligning with experimental and consciousness-based art.
About the Artist
Lady B is an interdisciplinary artist exploring the boundaries of ancestral memory, ritual and contemporary ecological consciousness
Bérangère Maïa Natasha Parizeau, AKA Lady B, is a French-Canadian artist and researcher originally from Montreal, Quebec, now living in Germany. Her art practice moves between photography, performance, experimental films, creative writing, visual and interdisciplinary approaches, with a strong focus on ancestral traditions, environmental awareness, cross-cultural interconnections. In her art, she investigates the intersection of memory, ritual, and presence. Working in geographical contexts as diverse as the sacred ghats of Varanasi, Uttar Pradesh, India, and the remote mountain villages of Yunnan, in southwestern China, Parizeau creates works that are at once timeless portraits, as well as broader meditations on consciousness and our shared human experience. Her most recent body of photographic work, which was presented at Gallery Espace in August 2023, explores the spaces where cross-cultural ancestral rituals, portraiture and landscape photography intersect. Critic André Seleanu (AICA, Montréal) has described Parizeau’s work as carrying “a unique sense of presence” — merging ethnography, ecology, politics, and art into a multi-layered investigation of the human experience. I strive to produce images that invite stillness, foster dialogue, and honour both ancestral knowledge and contemporary realities.
